Showing posts with label installation. Show all posts
Showing posts with label installation. Show all posts

05 April 2012

Installation of new exhibitions


Motorcycles? In an art gallery? That’s right; we’re excited to see the Ellaspede bikes being rolled into the artisan window today as a part of our new exhibition schedule! Also being set up for the big reveal next week in Gallery artisan are the beautiful ghost net sculptures for The Long Tide: Contemporary Ghost Net Art. Made from massive commercial fishing nets abandoned in the ocean, these creations are bringing new life and purpose to an ecological hazard. In Gallery 2, the Finitude (V2) exhibition by Keith Armstrong combines physical and virtual media to create an interactive experience for visitors. As you can see below, our gallery team has had a great time putting these wonderful displays together and we look forward to sharing them with you from next week.
Ghost Net artworks being arranged as part of The Long Tide.

The Finitude (V2) display being prepared in Gallery 2.

The media are as excited as we are about Ellaspede! This is co-founder Leo Yip being photographed with one of the custom motorcycles on display in the artisan window.

27 January 2011

Aseem Pereira Commission for QSL - Installed!

Artist Aseem Pereira has finished his beautiful series of woven artworks titled "Open Field"  for his commission with QSL facilitated by artisan 

Concept

Aseem Pereira’s commissioned artwork Open Field crosses the boundaries between art and craft with a large scale installation of hand woven recycled aluminum cans, for which each element will be individually hand crafted. Conceptually, the work reflects and connects us to the urban landscape in which we exist and contribute.

The elegant linear forms of the sugar cane stalks inspire the  eleven panels that create the artwork. Instead of a literal representation an abstract finished artwork has been realised. To conceptualize it as a landscape, the wall itself becomes the canvas or framework to support and expand relationships between the various areas involved in the make-up of QSL business and also the important regional partnerships. Integration is a point of departure for this commissioned artwork. The seemingly isolated parts of the work can be read as one creative expression incorporating the space that sustains it. A sense of integrity and balance for each individual panel has been achieved - essential to the visual composition and wholeness of this complex work.

Technique

This handmade, intricately and obsessively hand crafted artwork has employed recycled metal drinking cans in the form of meticulously cut thin metal strips. These stripes were then hand woven into a framework of copper weft threads. The finished artwork is entirely metallic with the intricate weaving process creating unique textures. The surprising use of materials and technique employed has resulted in a remarkable and highly ascetic outcome, which continues to hold the viewers interest as they walk through the space. The low relief patterns and textures invite the viewer to a move closer for a more intimate view of the work.

The techniques of weaving and recycling and revaluing metal have direct connections to Aseem Pereira’s cultural background. He was taught to weave with found materials in Brazil and employs these techniques regularly in his contemporary artworks. The weaving technique transforms our discarded waste and urban detritus into a conduit for inspiration.

Colours

A colour palette of yellow, black and silver is proposed. These colours are derived from elements of the landscapes that QSL has direct connections to, via its regional partnerships.


Below are some shots documenting the installation of his work and a very proud artist with the finished display!




















02 August 2010

A behind the scenes look at the installation of Industrial Desire by curator Leon Fitzpatrick

We thought we would share some photos documenting installation of our current show Industrial Desire. All of the photos are courtesy of the curator of Industrial Desire, Leon Fitzpatrick. Enjoy the behind the scenes look at the installation process.

Industrial Desire is on display at artisan until 28 August 2010.

Leon lending a helping hand.

Our custom made plinths positioned in the gallery space.

Opening the first crate.

Shiny slick black perspex for the tops of the plinths.

Rotating stand for the hero car - the Hyundai.

Work all labeled up.

Exhibition title vinyl on the street-front window.

Exhibition title vinyl in a shiny silver on the gallery walls.

Happy install staff celebrating a job well done.